There
are still many of you out there at smaller newspapers that have yet to make the
leap. For years, you have known you need to eventually upgrade your layout
software and migrate to a modern operating system. But you are still getting the
paper out on the old stuff, right?
That
is, until lack of support for your antique equipment and production flow drives
you to the edge of the cliff. My advice: Go ahead and jump.
“It’s
just too expensive,” says Gustine, Calif., publisher Susan Mattos. “We are
still running Quark(XPress) 4 on OS 9 and lower.”
Mattos
says her publications, The West Side Index, Gustine Press-Standard and Tuesday
Review, will likely leap soon because she will have to, but it won’t be easy.
“We
have machines that will have to be replaced and we will probably shift to
(Adobe) InDesign so that requires us to learn new programs.”
In
contrast to Mattos, Randy Sunderland, general manager of the Delta County
(Colo.) Independent, made the leap.
More
stable
“We
have 15 workstations with Macs, ranging from three 233 megahertz G3 desktops to
more recent G4s and laptops. We decided to convert to (Macintosh) 10.2 initially
and have since migrated to 10.3, which is much improved and more stable,”
Sunderland says. As part of the upgrade, the Independent also moved to InDesign,
dropping QuarkXPress in the process.
Although
migrating didn’t cause Sunderland any major headaches, he said those poised to
make the leap should make sure their new machines have enough RAM to run the OS
and apps such as InDesign.
For
the Independent, that meant Macs with 512 megabytes of RAM, an increase termed
“an easy fix and relatively inexpensive,” Sunderland says.
“We
also replaced every mouse with scrolling, three-button mice because OS X and
InDesign use the right click for a lot of shortcuts,” he said.
Few
bumps
There
were a few bumps. The 233 MHz G3s needed freeware app XPostFacto in order to run
10.3. The computers also required new hard drives. The machines’ existing 4GB
drives were insufficient, but upgrading to 40GB drives proved to be an
inexpensive ($60 each) solution, Sunderland says.
Sunderland
says he had to partition the drives because older machines only recognize the
startup if installed in the first 8GB of a drive. The upside is the upgraded
drives were all 7200 rpm and made a noticeable difference in performance.
“We
kept OS 9 on the machines so we could run in classic mode with Quark, but urged
everyone to learn InDesign as quickly as possible,” he says. “Classic (mode)
is not as stable with our older Quark, and we had several freezes that went away
as soon as everyone shifted to InDesign.”
Sunderland
also ran into another Quark-related hitch when upgrading.
“Under
OS X 10.2/classic, Ethernet network works fine with Quark. But under
10.3/classic, you cannot see the files listed on networked servers unless you
create an alias of the folders you want and keep them on your desktop,” he
says.
Finding
the answer
“That
took me about three weeks of research to find out (the answer). However, it was
quite a motivator to learn InDesign when you could not easily open files under
Quark.”
InDesign
had its own challenges. While installation was straightforward, “We had to do
a lot of work with our fonts” to weed out older fonts that interfered with
setting up templates, he says.
The
learning curve associated with moving from Quark 3.2 to InDesign was steep as
well.
“You
have to pay close attention to the cursor to tell exactly what mode it is
working in,” Sunderland says.
“We
also found out InDesign is a desktop hog - Our older 15-inch monitors are barely
adequate.”
Stagger
deployment
The
Independent staggered its InDesign migration to make the move less stressful.
“InDesign libraries are a great feature, but we found it necessary to make
changes nearly daily to our libraries as we developed templates for stories,
photo cutlines, boxed photos and stories, etc. Then we discovered character and
paragraph styles - which is the wrong order,” Sunderland says.
Instead,
he advises that new users map out their style sheets first, and then move to
story boxes.
“We
developed a full-page template and locked that in. Then we built libraries for
each reporter, with boxes with headlines, bylines, etc., already grouped.”
Sunderland
said it took about three weeks for the Independent’s designers to become
comfortable with InDesign with another month before they were confident.
Still
learning
Now,
six months after the conversion, “I’m still learning new things about the
program,” Sunderland says. “There is no doubt our decision to convert was
the right one. Because the app converts our older Quark files without major
problems, we were also able to save a lot of our older ads and the libraries are
great time-savers for everyone.”
Is
it possible to leap just a little bit? Perhaps. You can buy a five-license copy
of OS X 10.3 for about $200. Even if you don’t upgrade your current page
layout program, you can still run it in classic mode. It is not ideal. You will
encounter problems. But if you take that approach, you should be able to
identify and prioritize some of the problem areas. In addition, you begin the
process of learning OS X, and you’ll quickly find which apps you own will work
with the new OS and which ones won’t.
Obviously,
making a leap requires a commitment in faith. Just remember what St. Augustine
said 1,600 years ago: “Faith is to believe what you do not yet see; the reward
of faith is to see what you believe.”
If
it worked for St. Augustine, it can work for you.
Rob
Carrigan specializes in prepress systems for weekly newspapers. He is the
publisher of the Ute Pass Courier in Woodland Park, the Gold Rush in Cripple
Creek and the Extra in Teller County, all ASP Westward LP weeklies in Colorado.
He can be reached by e-mail at RCarrigan@aol.com
or rcarrigan@ccnewspapers.com.