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 April
 2002






Applied Science Fiction
512.651.6200
www.asf.com

Minolta
201.825.4000
www.minoltausa.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

 

 


 

 

 

 

 

 

 



 














 

 


Applied Science Fiction offers quartet of scanning technology software solutions

by Marcelo Duran
Assistant Editor


Applied Science Fiction Inc., a scanning technology company founded in 1995, has introduced photo restoration solutions in the print industry that have earned them accolades as hot technology products from various organizations. The company’s Digital ICE3 technology received a Cool2 award for Best Imaging Software of 2001 from PEI Magazine. ASF’s Digital PIC technology was voted the Top New Technology for 2001 by the readers of Photographic Processing Magazine. In addition, the Nikon Super Coolscan 4000 ED, which incorporates ASF’s Digital ICE3 technology, was also selected as the best in the Film Scanner category by Photographic Processing Magazine. KPMG L.L.P. also honored ASF with the Industry Leadership award at their sixth annual High Tech Awards ceremony last October.

The company researches, develops, markets and licenses their line of products to original equipment manufacturers in the image scanning, photo-quality printing and film processing industries such as Acer, Minolta and Nikon.


Dust and scratches are removed with 
Digital ICE3. This process would normally 
have taken hours to restore using powerful software.
Photo courtesy of Applied Science Fiction

Photographic prints are susceptible to image defects caused by routine handling and there are many factors that contribute to the deterioration of film. Ambient storage conditions also impact the state of a print, while light, humidity and temperature affect the unstable dye layers, which are susceptible to leakage. The capture of the image on the photographic film can result in overexposed or underexposed prints. Upon scanning, defects like scratches, dust, over and under exposure, and color fading are all captured in digital form.

There are other digital image correction tools available in addition to ASF’s software to repair such defects, however, these applications often require significant training and can be very labor-intensive.

A team of photographers, scientists and engineers at Applied Science Fiction developed technology to automatically and economically restore dirty, damaged or faded images without the need for specialized training or additional hardware. This technology is incorporated into flatbed scanners to work automatically and transparently during the scanning process.

Digital ICE removes surface defects automatically without altering the underlying image by obtaining information about the nature and location of surface and near surface defects.

When a photo is scanned, Digital ICE accurately identifies surface defects on scanned film or photographs and automatically removes them, producing a clean digitized image.

Digital ROC is an application that is adjusted to the characteristics of a specific scanner. The software automatically and accurately rebuilds lost color values in film or photographs, recreating instant color-corrected digitized images.

Digital ROC identifies clues in the original imaging medium to correct the color. Using a complex set of proprietary algorithms, Digital ROC reconstructs the actual colors from the original color data and presents a restored or enhanced image.

Digital GEM is based on complex proprietary algorithms used during the data collection portion of the scanning process. It reads the grain details in the film and extracts all the vital data related to image quality, color and sharpness similar to the way Digital ICE corrects surface defects. The result is a sharp, clear image without a grainy appearance.

Film grain results from the silver halide crystals that compose the photographic emulsion and is the byproduct of film’s light-sensitive emulsion. The graininess of film refers to a subjective measure of the visible clumping of the grains in the emulsion. Film grain is similar to the resolution of a computer monitor — the lower the resolution, the larger the pixels and the less image detail is provided.

The new Digital SHO plug-in, introduced at Seybold Seminars conference in New York City this past February, automatically reveals details hidden in shadows commonly caused by exposure problems such as backlit subjects, uneven flash illumination and partial shade. The Digital SHO plug-in proprietary algorithms analyze and adjust the gradations of darker image areas to optimally reveal hidden details.

Digital ICE and Digital ROC are available for flatbed and film scanners, while Digital GEM is only available for film scanners. Digital SHO works on any image digitized by a flatbed or film scanner, taken by a digital camera or stored on CDs.

ASF incorporates all three film restoration technologies into a suite called Digital ICE3. Film scanners integrated with this trio provide professionals with simple and automatic image restoration. Users can perform image restoration in the time it takes to scan the photo. The latest implementation is featured in Minolta Corp.’s new Dimage Scan Multi Pro film scanner.

Minolta’s new multi-format, high-speed, dual- interface compact film scanner features high-resolution 4,800-dot per inch scans with 16-bit analog-to-digital conversion and a 4.8 dynamic range transmis-sive bit depth, along with precision auto-focus and color matching systems, that preserve subtle tones and details.

ASF’s Digital ICE3 technology eliminates scratches on photographic film or slides, restores faded colors and improves a photograph’s overall appearance by minimizing grain, quickly and automatically, during the scanning process, saving hours of manual work.

The Minolta Dimage Scan Multi Pro is designed to scan 35 mm and medium-format (120/220) films, while an optional multi-format setting enables scanning of transparent electronic microscope film, microfilm in aperture cards, 16 mm film, Minox, and 24-by-65 mm panoramic format.

The scanner’s driver software controls professional scanning with its graphical user interface. It allows a variety of flexible image corrections, while keeping the quality of the scanned images high.

“Minolta is putting the power of film scanning in everyone’s hands,” said Jon Sienkiewicz, vice president, digital imaging products at Minolta Corp.’s consumer products group.